This music is re-interpreted and fully inspired from the twists and turns of the love story of Sijobang, the art of Kucapi Payakmufruit or often called the art of Basijobang. Sijobang's songs of lamentation will tell stories about hidden feelings, a series of tones will worship someone, which in the end will not be fulfilled. Unrequited love.

Eparting from one of the songs, Sampling Batu Putiah, which is full of advice, is then interpreted into a musical composition by combining modern and traditional instruments so that it can project the desired pieces of memory into the creation of this work. 

The concept of dualism in daily life is not spared from the aesthetic value of the serdam musical instrument which tends to have sad/miwang nuances, which has the other side, namely happy emotion that is present for both the performers and the listeners, presented in a new form with the basic theme of segata muli mekhanai which is attached to the happy element of representing the couple presented in the form of world electronic music with lighter methods so that the creator's interpretation is present in a musical series. 

Peace with the universe, Talk high words together Directional path together, The end of my village road Sad moored, Seven springs wash Until the end becomes the beginning.

Trapped by dualistic thinking which is always present in a series of cultural events then it becomes a reflection of bargaining in the form of a third space.